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goldfades · 29 days ago

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TROUBLE ─── RAFE CAMERON

request for blurb night! : "ev, hear me out—reader is sarah’s best friend who used to babysit wheezie. she's always thought rafe was just some spoiled rich kid until one night he helps her out of a dangerous situation, and she see a different side of him"

The sound of cicadas swells in the sticky summer air as you maneuver your car into the Camerons’ circular driveway, gravel crunching beneath the tires. The house stands before you, grand and overbearing, like something pulled straight from a Southern Gothic novel. Even after all these years, it still has a way of making you feel out of place, like you’re trespassing on a life far removed from your own.

You killed the engine and take a deep breath, your hands lingering on the steering wheel. Coming here used to feel second nature—a daily part of your routine back when you were just Sarah’s friend who needed extra cash and Wheezie was a chatty eight-year-old who never seemed to run out of energy.

Now, it feels complicated. It’s not like you’re unwelcome here—Rose is always polite in her distant, Stepford kind of way, and Wheezie practically lights up whenever she sees you. Sarah treats you like family, but there’s always been one Cameron who makes you feel like you’re walking on eggshells.

Rafe.

Spoiled, sharp-tongued, entitled Rafe, whose condescending smirk had been a permanent fixture of your teenage years. The golden boy with a black hole of a temper, a trust fund, and an ego that stretched for miles. You’d never understood him, and frankly, you’d never wanted to. He was a hurricane you learned to avoid at all costs, never lingering too long in his orbit.

But life has a funny way of pulling you into places you swore you’d never go.

You grab your bag from the passenger seat and step out into the muggy heat, your sandals crunching against the gravel. Somewhere inside the house, you hear the faint echo of laughter—Wheezie, probably, shouting at Sarah over a card game or some other nonsense. The sound makes you smile despite yourself.

You weren’t always someone the Camerons—or anyone from Figure Eight, for that matter—gave the time of day. Growing up, you were just another Pogue, another kid from the Cut with hand-me-down clothes and a chip on your shoulder. The people from Sarah’s world weren’t interested in you back then. Why would they be? You had nothing they wanted—no yacht, no country club membership, no sprawling waterfront property. You didn’t mind much. You had your own circle, your own rhythm, and you learned to brush off the condescending stares whenever you ventured into their territory.

But everything changed when your dad’s business took off. What started as a small, bare-bones construction company turned into one of the most in-demand firms in the Outer Banks almost overnight. Suddenly, the same people who used to look through you like you were invisible started remembering your name. Invitations to parties you’d never have been considered for started showing up in your mailbox. They weren’t just tolerating you—they wanted you there.

Sarah was one of the first to genuinely befriend you during that whirlwind of change. She wasn’t like the others, who only smiled at you because their parents said it was polite or because they wanted a favor from your dad. She liked you for you—your sarcasm, your groundedness, your tendency to keep it real in a place where everyone else seemed to be faking something. And through Sarah, you met Wheezie.

Wheezie was eight at the time, still caught between childhood and whatever it is that happens when you grow up as a Cameron. She adored you from the start, trailing behind you whenever you came over like a little shadow. You didn’t mind. She was funny, curious, and refreshingly unfiltered—a lot more like the kids from the Cut than anyone wanted to admit.

When Rose offhandedly mentioned they needed someone to look after Wheezie while she was busy managing the house (or hosting one of her endless charity luncheons), Sarah volunteered you without hesitation. “She’s perfect,” Sarah had said with that trademark confidence of hers, as though your schedule had already been cleared.

To your surprise, it worked out. Wheezie loved you, probably because you didn’t treat her like a chore or talk down to her like so many others did. You indulged her weird little interests, let her ramble on about books and whatever new drama she overheard in the house. You made her laugh.

And if the Camerons noticed you weren’t exactly one of their own, they didn’t seem to mind much anymore. After all, in their world, proximity to success was enough to erase just about anything.

Even after a couple years had passed, it’s a little funny how much has stayed the same. Every time you pull into the Camerons’ driveway, you still get the same sinking feeling, like you’re stepping onto foreign soil without a passport. Except now, it’s become a routine. Cameron game nights.

It started as an extension of the babysitting gig—a casual invite from Sarah, insisting you stay for dinner one night after watching Wheezie. Dinner turned into a board game that Sarah claimed was “super quick,” which turned into three hours of family chaos. It was ridiculous, overly competitive, and a little awkward with Rose monitoring everything like a referee, but Wheezie loved having you there, and Sarah was relentless in making sure you felt included.

At some point, it just became normal. Even after Wheezie grew out of needing a babysitter, the tradition stuck. Every week or two, Sarah would text you about game night, and somehow, you always said yes.

“You’re like an honorary Cameron,” Sarah had joked once, and you’d laughed because the idea of that felt ridiculous. But there were moments, like now, when you almost believed her.

Wheezie’s voice echoes from the living room the second you step through the door. “You’re late!”

“I’m literally on time,” you call back, closing the door behind you. The smell of freshly baked something wafts through the air, probably cookies Wheezie convinced Rose to make under the guise of a family bonding activity.

“Technically, Rafe’s late,” Sarah says, popping her head around the corner, already grinning. “You’re just cutting it close. Come on, Wheezie’s already plotting your downfall.”

You laugh and follow her into the living room, where the familiar chaos is already brewing. Wheezie’s sprawled across the couch, a pile of board game pieces spread out in front of her, while Ward sits in his chair, sipping a scotch like it’s all beneath him but still keeping a hawk’s eye on the rules. Rose flits between the kitchen and the table, not-so-casually reminding everyone to keep the snacks on coasters.

And then there’s Rafe.

He’s leaning back in one of the armchairs, his legs stretched out like he owns the place—which, technically, he does. A half-smirk tugs at his lips as he spins a stray game token between his fingers. He barely glances at you when you walk in, but you catch the faintest flicker of recognition.

It’s been years, but Rafe is still Rafe: cocky, restless, and way too pretty for his own good. He’s toned down some of the more obvious brattiness since the early days, but the edge is still there, sharp enough to cut if you’re not careful.

And, as always, you do your best to steer clear.

The quiet hum of the boutique fades behind you as you pull the glass door shut, twisting the key to lock it. The click echoes in the empty street, a sharp sound against the stillness of downtown this late at night. The once-bustling sidewalks are deserted now, the streetlights casting uneven pools of orange on the pavement. Most of the shops had closed hours ago, their dark windows reflecting the faint shimmer of the moon.

You adjust the strap of your bag over your shoulder and glance at your phone. 11:43 p.m. Later than you’d intended. It wasn’t your shift to close, but your coworker had begged you to cover for her last minute, and you couldn’t say no. It’s fine, you tell yourself. You’ve done this before. Downtown isn’t that bad, and your car is parked just a block away. Still, there’s something unnerving about the silence, the way the shadows stretch a little too far when you’re alone.

Reaching your car—a trusty but aging sedan that you inherited from your dad—you fumble with the keys before sliding into the driver’s seat. The interior smells faintly of the vanilla air freshener you keep on the rearview mirror, a comforting contrast to the chilly night air outside. You toss your bag onto the passenger seat, then grip the steering wheel as you turn the key in the ignition.

Nothing.

You pause, frowning. That’s… odd. Your car’s old, sure, but it’s never been completely unresponsive. You twist the key again, harder this time, willing it to come to life.

Still nothing.

A low groan escapes your throat as you lean back against the seat. This can’t be happening. Not tonight. Not here.

You pull out your phone, half-tempted to call Sarah or even your dad, but you hesitate. Sarah’s probably asleep by now, and your dad’s a good thirty minutes away—not to mention, he’d definitely give you a lecture about not keeping up with the car’s maintenance. Sighing, you pop the hood and step out into the cool night air, shivering slightly as a gust of wind cuts through your jacket.

The street around you is unnervingly quiet. A stray cat darts across the road, its shadow flickering under the streetlights. You glance around, trying to shake the uneasy feeling creeping up your spine. It’s just your imagination, you tell yourself. No one’s here.

With a deep breath, you lift the hood and stare down at the engine like it might magically fix itself. You know a grand total of nothing about cars, but you wiggle a few cables anyway, hoping for a miracle. When you try the ignition again, the result is the same—silence, save for the faint hum of a streetlamp overhead.

Panic starts to creep in now, slow and steady. Your phone’s battery is hovering at 10%, and downtown—normally picturesque and charming by day—feels like a completely different place at night. The empty windows of the closed shops look less quaint and more sinister, their dark interiors like gaping mouths.

You lean back against the car, tapping your fingers against the metal as you weigh your options. Call someone? Walk to the gas station a few blocks down? Stay here and wait it out? None of them sound appealing, especially with the growing sensation that you’re being watched. You tell yourself it’s just nerves, but your skin prickles anyway, and you can’t help but glance over your shoulder every few seconds.

“Great,” you mutter under your breath. “This is how horror movies start.”

You huff out a shaky breath and decide to at least look under the hood. Not that you know what you’re doing, but it’s better than standing here like a sitting duck. Popping the latch, you step out into the cool night air again, every sound amplified in the unsettling quiet. Your shoes scrape against the pavement as you walk to the front of the car, lifting the hood and leaning over the engine.

The faint metallic scent of oil hits your nose as you peer into the mess of cables and parts. It all looks like a foreign language to you, but you fiddle with a few wires anyway, hoping for some kind of miracle.

That’s when you hear it—footsteps.

At first, you think maybe it’s nothing, just your imagination running wild, but then you hear them again, deliberate and getting closer. Your stomach clenches, and you straighten up, instinctively glancing over your shoulder.

Two figures are walking toward you from the opposite side of the street, their strides slow and unhurried. The dim streetlights reveal faces you vaguely recognize—Kooks, no doubt, probably from the same parties Sarah used to drag you to back in high school. Their names escape you, but the looks on their faces don’t—grins too wide, eyes too sharp, the kind of predatory energy that sets every nerve in your body on edge.

“Car trouble?” the taller one calls out, his voice carrying an edge of amusement as they stop a few feet away.

You force a tight smile, trying to keep your voice steady. “Yeah, I’ve got it handled. Thanks.”

The shorter one, stockier and wearing a backward baseball cap, steps closer, tilting his head like he doesn’t believe you. “Doesn’t look like it,” he says. His tone is casual, but the way his eyes flick over you makes your skin crawl.

“I’m fine,” you insist, taking a small step back toward the car. Your heart is pounding now, a sick thrum in your chest, but you keep your expression as neutral as possible.

“Hey, we’re just trying to help,” the taller one says, holding up his hands like he’s harmless, but there’s something almost mocking in his tone. “No need to be rude.”

The stocky one smirks, moving to your other side, effectively boxing you in against the car. “Yeah, we’re just being friendly.”

The air feels heavy, oppressive, and the space between you and them feels like it’s shrinking by the second. You can feel the tension in their postures, the way they’re both leaning in slightly, testing how far they can push.

Your throat tightens as you glance around, desperate for someone, anyone to come walking down the street. But there’s no one—just you and these two strangers who clearly don’t care that you’re uncomfortable.

“Look,” you say, trying to sound firm but calm, “I appreciate it, but I’m good. You don’t need to stick around.”

The taller one laughs, a low, unpleasant sound that makes your stomach churn. “Aw, come on. You’re out here all alone. What kind of gentlemen would we be if we just left you like this?”

Your fingers tighten around the edge of the hood, your mind racing for a way out. You consider making a run for it, but they’re too close now, their presence suffocating.

Just as the stockier one steps even closer, his grin widening, a voice cuts through the tension, sharp and commanding.

“What’s going on here?”

The relief is instant and overwhelming, like a lifeline being thrown to you in a raging sea. You turn toward the sound, and there he is—Rafe Cameron, standing just a few feet away, his hands shoved casually into his pockets but his posture rigid, his eyes hard as they lock onto the two guys.

The taller one straightens up immediately, his smirk faltering. “Rafe,” he says, a weak attempt at sounding friendly.

Rafe doesn’t respond, his gaze shifting to you for the briefest moment before snapping back to them. “Didn’t realize we were having a party,” he says, his voice calm but laced with something dangerous. “You two invited?”

The stockier guy takes a step back, muttering something under his breath. “We were just leaving,” he says quickly, his bravado crumbling under Rafe’s glare.

“Yeah, you are,” Rafe says, his tone leaving no room for argument.

The two exchange uneasy glances before slinking away, their footsteps echoing down the street until they disappear around the corner.

For a moment, all you can hear is the pounding of your heartbeat and the faint hum of Rafe’s truck idling in the distance.

“You good?” Rafe asks, his voice softer now but still steady, grounding.

You nod, your throat dry as you manage to croak out, “Yeah… I am now.”

Rafe watches the shadows where the two guys disappeared, his expression unreadable, his jaw tight. You half expect him to say something cutting, maybe some sarcastic remark about how you can’t take care of yourself, but when he finally looks at you, there’s no smugness. Only something... softer, almost hesitant.

“You’re lucky I saw you,” he says, his voice low. “That could’ve gone bad. Fast.”

You nod, your throat still tight from the tension of the moment. He’s right. You don’t even want to think about how that could’ve ended if he hadn’t shown up. “Thanks,” you murmur, your voice barely above a whisper.

Rafe’s brow furrows like he’s surprised you said it. He leans back slightly, glancing at the car hood still propped open. “What’s wrong with this thing?”

“Won’t start,” you reply, gesturing vaguely at the engine. “Not that I’d know what to look for.”

He huffs a quiet laugh, the corner of his mouth quirking up just slightly. “Yeah, I wouldn’t expect you to.” His tone lacks the usual edge, though—it’s not a dig, just a statement.

For a moment, the two of you just stand there in the quiet. The night air feels less suffocating now, the earlier tension replaced by a strange calm. Despite everything you know—or think you know—about Rafe Cameron, there’s something about his presence right now that makes you feel… safe. It’s unsettling, in its own way.

“You should be more careful,” Rafe says, breaking the silence. His gaze is steady, not mocking or judgmental, just serious. “Downtown this late? Alone? That’s asking for trouble.”

You bristle slightly, your instinct to defend yourself flaring up. “I didn’t exactly plan for my car to break down.”

He raises an eyebrow, but instead of snapping back, he just nods. “Fair.”

The quiet stretches between you again, but this time, it’s not uncomfortable. Rafe steps closer, peering under the hood with a practiced air, and you’re struck by how uncharacteristically gentle he seems. No biting remarks, no smug superiority—just calm focus.

He taps a cable lightly, muttering something under his breath, then steps back, closing the hood with a decisive thud. “Battery’s probably dead,” he says, glancing at you. “You need a jump.”

You nod, your nerves finally starting to settle. “I guess I’ll call someone.”

“Don’t bother,” he says, already walking toward his truck. “I’ve got cables.”

You blink, caught off guard by his matter-of-fact tone. He’s not offering—he’s telling you he’s going to help. And for some reason, you don’t argue.

A few minutes later, Rafe has his truck pulled up nose-to-nose with your car, the cables stretched taut between them. He works in silence, his movements efficient, and you watch from the sidelines, unsure of what to do with yourself.

“You should get in,” he says, nodding toward the driver’s seat.

You do as he says, sliding back into the familiar confines of your car. The moment feels oddly intimate—just the two of you on this empty street, the hum of his truck filling the air.

“Try it now,” he calls out, stepping back.

You turn the key, but instead of the engine sputtering to life, it lets out a defeated whine and falls silent again. You try one more time, your chest tightening with frustration and dread, but it’s no use. The car isn’t going anywhere tonight.

You let your forehead drop against the steering wheel with a groan. Of course. Just your luck.

Rafe’s voice cuts through the night air, low and steady. “It’s not gonna work. Battery’s dead for real.”

You sit up, pressing your lips together as he leans against the open driver’s side door, his arms crossed. His expression is unreadable, somewhere between amusement and mild concern.

“Great,” you mutter. “So, what now? I call a tow truck and wait here till dawn?”

Rafe tilts his head, his gaze flicking over you briefly before landing on your car again. “Or,” he says, “I could just drive you home.”

The offer catches you off guard, and you hesitate, your immediate instinct to say no. Riding home with Rafe Cameron? That’s about as far outside your comfort zone as you can imagine.

But then you glance down at your nearly dead phone, the empty street around you, and the sheer impossibility of getting a tow out here tonight. What other choice do you have?

“Seriously?” you ask, your voice tinged with disbelief.

Rafe shrugs, the motion easy, like it’s no big deal. “You got a better plan?”

You don’t.

“Fine,” you say finally, grabbing your bag from the passenger seat and climbing out of the car. The night air feels colder now, pressing against your skin as you walk toward his truck.

Rafe opens the passenger door for you without a word, and you slide in, the faint scent of leather and cologne filling the cab. It’s clean but lived-in—practical, not flashy, which surprises you.

He climbs in on the driver’s side, pulling the door shut and starting the engine with a smooth turn of the key. The sound is steady, reliable, and for a moment, you envy how effortlessly everything in his life seems to work.

The first few minutes of the drive are quiet, the only sound the low hum of the truck and the occasional creak of the suspension as it rolls over uneven pavement. You glance out the window, watching the darkened storefronts blur past, trying to ignore the strange tension sitting between you.

“You gonna sit there and sulk the whole way?” Rafe asks, his voice breaking the silence.

“I’m not sulking,” you shoot back, turning to glare at him.

He smirks, his eyes still on the road. “Sure you’re not.”

You huff, crossing your arms over your chest. “I’m just… processing the fact that my car officially hates me. And that I had to be rescued by you of all people.”

His smirk softens into something closer to a smile, and for once, it doesn’t look mocking. “Yeah, well, it’s your lucky night, I guess.”

You roll your eyes but don’t respond, and the quiet settles over the truck again. It’s not entirely uncomfortable this time—just strange, like you’re both trying to figure out how to navigate this unexpected moment.

After a while, Rafe glances over at you, his expression more serious now. “You really shouldn’t be out here alone like that,” he says quietly.

You shift in your seat, caught off guard by the sudden sincerity in his tone. “I didn’t exactly plan for my car to break down,” you mumble.

“Still,” he says, his grip tightening slightly on the steering wheel. “Things could’ve gone bad. You know that, right?”

You do. The memory of those guys, their leering smiles and the way they cornered you, is still fresh in your mind. A shiver runs through you, and you glance at Rafe, his profile sharp in the dim light from the dashboard.

“Thanks,” you say, softer this time. “For stepping in.”

His jaw tenses for a moment before he nods. “Yeah. Don’t mention it.”

The rest of the drive passes in a blur of streetlights and quiet conversation. When he finally pulls up outside your house, you feel an odd sense of disappointment, like the night is ending too soon.

Rafe cuts the engine and looks over at you, his expression unreadable again. “You good?”

You nod, your fingers curling around the strap of your bag. “Yeah. Thanks for the ride.”

He hesitates, his eyes searching yours for a moment, and you swear you see something uncharacteristically soft in his gaze. “Anytime,” he says, his voice low.

You climb out of the truck, turning back as you reach your front door. Rafe is still there, leaning slightly out of the window, watching you with an intensity that sends a strange flutter through your chest.

“Night, Rafe,” you call out, your voice steadier than you feel.

He nods once, his smirk returning, but there’s a warmth to it now that wasn’t there before. “Night.”

You watch as he drives off, the tail lights disappearing down the street, and you can’t shake the feeling that tonight, something shifted. Something you didn’t see coming.

The living room is alive with laughter and the sugary smell of freshly microwaved popcorn. Wheezie is sprawled across the couch, her legs tangled in a blanket as she debates the finer points of the movie you’ve just paused, while Sarah snorts beside her, throwing a handful of popcorn in her sister’s direction.

You sit cross-legged on the floor, sipping from your drink and soaking in the warmth of the moment. It feels good to let your guard down like this—to laugh and tease and forget for a little while.

“Okay, but how does she not realize he’s the bad guy?” Wheezie demands, gesturing dramatically at the screen.

“Because she’s blinded by love,” Sarah says, grinning. “Or maybe she’s just as dumb as you are.”

“Excuse me?” Wheezie gasps, clutching her chest in mock offense.

You laugh, shaking your head. “I don’t know. I feel like if someone was being that obvious about being evil, I’d notice.”

“Would you, though?” Sarah teases, raising an eyebrow.

“Hey!” you protest, chucking a stray pillow at her.

The playful banter continues, the night stretching on in a haze of easy conversation and snack-fueled chaos. You’re halfway through arguing over which movie to watch next when the sound of the front door opening pulls your attention.

You glance toward the entryway just as Rafe steps inside, his hair slightly mussed, his keys jingling in his hand. He pauses when he sees you all, his expression flickering from mild surprise to something unreadable.

“What’s this?” he asks, his voice carrying that familiar mix of curiosity and amusement. “A girls’ night?”

“Yeah,” Sarah says, throwing a popcorn kernel at him. “And you’re not invited.”

“Tragic,” Rafe deadpans, stepping fully into the room. His eyes flick to you for a split second, and your stomach does an unexpected flip.

You tell yourself it’s nothing. Just residual nerves from the other night. Nothing to do with the way his presence seems to fill the space or the way his gaze lingers just long enough to make your cheeks heat.

He smirks, leaning against the doorframe. “Don’t worry, I’m not staying.”

“Good,” Sarah says. “Bye.”

He ignores her, pushing off the frame and heading toward the kitchen instead.

“I’m getting more popcorn,” you announce quickly, needing a reason to escape the sudden heat prickling at your skin. You grab the empty bowl and dart toward the kitchen before anyone can respond.

The kitchen is cooler, quieter, and you exhale a sigh of relief as you cross to the counter. You’re halfway through scooping kernels into a bowl when you hear the low hum of Rafe’s voice behind you.

“Didn’t know you were here tonight.”

You jump slightly, glancing over your shoulder to find him leaning casually against the counter, his arms crossed and that infuriating smirk playing on his lips.

“Yeah, well,” you say, turning back to the task at hand, “I’m kind of a regular around here.”

“I’ve noticed,” he says, his tone light but edged with something that makes your stomach flutter.

You keep your focus on the popcorn, refusing to let him get to you. “Do you always sneak up on people like that?”

“Only when they’re interesting,” he shoots back smoothly.

You roll your eyes, but the flush creeping up your neck betrays you. “Interesting? That’s a stretch.”

Rafe chuckles, the sound low and warm. “I don’t think so.”

His voice is closer now, and you glance up to find him standing beside you, his gaze fixed on your face. You freeze, your fingers tightening slightly around the bowl as you try to think of something—anything—to say.

“Relax,” he says, his lips quirking up into a grin. “You look like you’re about to run out of here.”

“I’m not,” you insist, though your voice comes out shakier than you’d like.

He leans in slightly, his eyes locking onto yours. “Good,” he murmurs. “Because I was starting to think I might scare you.”

“You don’t scare me,” you say quickly, your voice a touch too defensive.

“Hmm.” His smirk deepens, and he leans back, giving you just enough space to breathe again. “If you say so.”

With that, he grabs a water bottle from the fridge and steps away, throwing one last glance over his shoulder as he heads toward the stairs.

“Goodnight, trouble,” he calls out, his tone teasing but soft enough to send a shiver down your spine.

You stand there for a moment, staring after him, your heart racing and your face burning.

By the time you return to the living room with the popcorn, Wheezie and Sarah are too busy laughing at some inside joke to notice how flustered you are. You settle back into your spot on the floor, your mind still replaying the way Rafe’s voice sounded when he called you trouble.

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wearevillaneve · 2 months ago

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Good morning to Jodie Comer only.

JODIE COMER Instagram

#jodie comer #HER EYES #instagram #she's the boss #life after killing eve #it's pretty good

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tryingonametaphor · 5 months ago

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Why Will Byers?

An analysis and theory on why Henry/Vecna targeted Will first in season 1 and his plans for Will in season 5

‼️Contains The First Shadow (TFS) spoilers so please proceed with caution.‼️

This is going to be a little long but I’ve tried to give as much context as I can without actually being able to show snippets from the stage play. This is my interpretation of everything that went down as a member of the audience and not as someone who has read up any theories about TFS before. To understand why Henry took Will first in 1983, we have to start with -

Henry and Joyce

From all the times I’ve watched TFS, the one thing that has stuck with me is the final conversation Henry has with Joyce. It’s just before his last confrontation with Patty Newby and before he joins Brenner for good. Joyce is the last person (who doesn’t know about Henry’s powers) that he canonically talks to.

Throughout the entire play Joyce, Hopper, and Bob are investigating the animals dying at the hands of Henry and come to the conclusion that Victor Creel has been the one doing the killing. They get so close to solving the case. In her last conversation with Henry, Joyce tries to comfort him by saying that Victor will pay for his crimes - which makes Henry laugh because she’s so close yet so far from the truth. He gets a little frustrated and says something along the lines of “You don’t get it. But someday you will.” (edit 28/9: the exact dialogue is [Henry: you’re too nice. that is how they’ll get you. you have to learn to do anything you can to protect the ones you love] [Joyce: I don’t understand.] [Henry: You will.]) The next time we see Henry make a reappearance in Joyce’s life is during -

The Vanishing of Will Byers

Will is taken into the Upside Down (UD) by Henry. It’s not even a question anymore. All of the context clues from 1x1 lead us to believe that Will’s kidnapping was not by a demogorgon. Will - a 12 year old - miraculously survives a week in the upside down with no food or water. Will is even around the demogorgon a few times in the Upside Down. (Joyce communicating with Will through the lights and then the demogorgon coming after her immediately).

Barb dies the night she is taken but Will stays alive and also somehow manages to talk to Joyce through the wall. Joyce is led exactly to where Will was held at the end of s1 and he makes it out alive. It’s almost as if Henry knew all along that Joyce was the most capable of never giving up on finding her son. Like Henry took Will Byers because he was Joyce’s son. And like he was giving her just enough to know that Will was alive. Even when Joyce and Hopper find him at the end in a state of near death, he’s not injured by a creature. He was being prepared for the next stage of Vecna’s plan -

The Possession of Will Byers

The origins of Henry’s powers happen as such - As a kid, he is transported into the UD (originally coined Dimension X by the government) for a few hours because he touched something he wasn’t meant to touch. During his time in there, he came in contact with the Mind Flayer (MF). According to TFS this is the point in his life when he started getting “corrupted”. Brenner’s dad - who was one of the first people to enter dimension X - had mutated blood after but no powers. Henry was the first person to come in contact with the MF and it’s highly likely he got his powers because of this (This would also track considering how most of the party has been in the UD now but show no signs of having powers). The MF controls Henry for the rest of TFS and Henry grows more power hungry the more he kills.

In S2, Henry presumably sends the MF after Will - who has now had a year to heal from the events of 1983. Will is the only other person in all of ST to have had direct contact with the MF and survived it. Henry didn’t hesitate to kill Billy in S3, but he always gives everyone just enough to keep Will safe. Will himself tells Owens in S2 that the MF wants to kill everyone except him. Will once again survives the entire ordeal and is given a “break” for the next 2 seasons. Except I don’t believe he’s been just given a break. I think Will is -

Henry’s Sleeper Agent.

Ready to awaken in s5. I undoubtedly think that Will is going to have powers. And I don’t think they’re going to be the same as Henry and El. El and the other lab kids get their powers directly from Henry. Will’s powers will be directly from the MF like Henry. I believe this has been Henry’s plan all along and it’s further affirmed by what he tells Will in the recent VR game. That Will will be the key to Henry being able to infiltrate his friends’ minds. Jamie Campbell-Bower also mentioned during the S4 press that to get in character, he set up a display with all of Henry’s victims and targets’ faces on his wall(?), and Will was in the center.

Henry is going to use his connection with Will sneakily and midway through S5 he’s going to awaken Will’s powers (maybe in ep4 - which is said to be titled ‘Sorcerer’ and has young Will in it). Henry is going to try and manipulate his way into making an ally out of Will, and it’s not going to work because -

Will is the Perfect Character Foil.

Will is everything Henry could have been if he had a better support system. He is the perfect character foil. Unlike Henry, Will has a mother who loves him unconditionally and more importantly, believes him. Unlike Henry, the person who Will loves the most (the Patty to Will’s Henry: Mike) is going to love him back and stay by his side all season. No one is going to force them to be apart the way Henry was told to stay away from Patty. Will is not going to be easily swayed even though Henry has spent years crafting him into the perfect soldier. Sure, Henry has seen him heartbroken and sad, but that comes nowhere near to the amount of love and support Will is going to get from his people next season. And they’re going to quite literally defeat Vecna with the power of love and friendship. After that, Will Byers is getting the happy ending that Henry could have gotten.

#stranger things #the first shadow #will byers #henry creel #vecna #vecna/henry/001 #hinting at parallels between #hentty #byler #I could write a whole essay about how Mike and Will are set up to mirror Patty and Henry.#but that’s for another time #joyce byers #stranger things meta #stranger things analysis #stranger things theory #my art #the first shadow spoilers

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hargreeves-duncan · 4 months ago

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I saw your requests were open and because I'm very hurt/comfort I would like reader to be fives spouse and then the subway happens like the after of everyone learning about it at the house and having to bring up what happened with not only Diego but us as well who thought we [Five and spouse] were happy??? Immaculate. Also I hope you're doing well stay hydrated!

a/n: thank you so much for your request, i am super hydrated, thank you :)) i really loved writing this (even if it is a little angsty) and i hope you love it just as much

summary: you thought you were happy together - if only you knew how wrong you were.

warnings: mentions of canon compliant violence, cheating (obviously), lila x five😬

word count: 2.1k

pt. 2

Christmas Eve would always be a time of joy and merriment for many, and the same had been true for you for all of your life. Even when you’d spent a few decades working as a trained killer for The Commission, the holidays were always a normality and a comfort that you could fall back on, without fail. In between snapping necks and pulling triggers, you’d seen the snow covered hills of Lapland and the warm festivities of Munich’s Christmas Markets and now that you were retired, you could enjoy it all with your family.

The family that your husband, Five, had brought you into. Whilst there was some initial shock from the Hargreeves’ siblings as they found out that not only had their brother aged forty-five years without them on a post-apocalyptic Earth but that he had actually gotten engaged in that time, slowly but surely, they had let you in. They were chaotic, at the best of times, but you loved them all the same and you knew that you’d do anything to protect them now. They were your family, just as much as Five was.

You’d met Five at the commission, when he was worn down by a lengthy four decades of solidarity and you’d pieced him back together. You’d shown him that living wasn’t just a means to an end and that it could be good and loving. You’d joked at the time how silly it was, that the two of you had found love at an organisation designed to kill, for the most part, innocent people. He’d said he’d do it a thousand times over if it meant he’d get to you.

After spending the last few years trying and failing to stop the apocalypse, you weren’t quite those people anymore. Instead, you had grown and evolved but you’d never had the luxury of waiting around for the two of you to settle down and retire like you’d both hoped for. So, when you’d come to this timeline, Five powerless, you hadn’t looked back. You’d gotten married, whilst you knew you still could and you’d lived the last six years in bliss. Five had softened now that there wasn’t the weight of impending doom on his back and you both got to be enveloped in the love you’d worked so hard for without consequence.

Tonight, you had gone over to Diego and Lila’s place to spend the evening with your extended family. At some point in the evening, Five and Lila had reappeared from whatever they’d spent the day doing and since he’d got back, Five had been unsettled. His eyes kept flickering over to Diego and Lila, constantly. He looked seething. Your husband had never been one for public displays of affection and Diego’s increasingly wandering hands must’ve been beginning to anger him, you thought. Five frowned, how was he supposed to enjoy his evening with that sitting across from him?

Noticing his restlessness, you slipped your hand over his comfortingly, feeling the cool metal of his wedding ring slide over your palm, “You okay?”

Five glanced back at you. He cleared his throat and nodded, smiling gently at you, “I’m alright, love.”

Occasionally, Lila would look over at him. She looked shy and timid under Diego’s touch, a look you’d never seen on her before. Lila’s love had always been performative and outlandish. Her affection was everywhere and to see her look so strained in his company was strange. It was entirely foreign to watch it play out and it didn’t match the Lila Hargreeves you’d come to know. Diego noticed too.

Even Luther noticed the tension in the room. He watched as Five rolled his shoulders for the hundredth evening, “What is with you tonight? You’ve barely said a word, Five, when does that ever happen?”

So, it wasn’t just you then? You thought to yourself. A ball of anxiety began to develop in your stomach. You searched Five’s face for the root of the problem. Five sighed and adjusted himself, “It’s called thinking, Luther. You should try it sometime.”

A flurry of shock and distaste shot up from everyone as he said that and you shrank slightly in your seat. Five bristled as you got closer. You frowned.

“I do think, I think you’re an asshole.” Luther clapped back, pouting as he leaned back against the couch. At this moment, you happened to agree. Five didn’t brush you away, physically, but he kept his eyes forward, anywhere but down at you. You felt dread in the pit of your stomach.

Five continued to avoid your gaze as Allison sighed, brushing her hair from her face, “Okay, can we not do this right now?” Her eyes drifted pointedly to Claire, Grace and the twins in the corner of the room, happily occupying themselves with toys and the tv which displayed a graceful ballerina one of the girls was currently trying to imitate.

“No, let’s. Let’s do this now.” Five said, smiling bitterly at her as he stood from the couch and dropped your hand.

You sighed, sitting forward, “Five-”

“Five, it’s gonna be okay.” Lila interrupted, smiling reassuringly from where she sat. Your head swivelled around to her, in time with Diego’s, eyebrows furrowed in confusion.

Before you had the chance to question Lila, Five smiled sarcastically at you all, moving his hand to cut her off, “No, it’s not gonna be okay.”

Diego shot from his seat, chuckling, “Hey, come on, man. Don’t talk to my wife like that. Not tonight. Not on Christmas.”

Five squares up to him, broadening his shoulders and raising his eyebrows at his brother, “You going to do something about it, fuckface?”

An uproar of protests from all of the others. Your eyes widen as things begin to escalate and you stand up, reaching for his arm, “Five!”

He glances back at you. Diego scoffs and steps closer, prodding Five’s chest, “Yeah, I’m gonna K-I-C-K your A-S-S, man.”

“Oh wow, somebody’s passed the first grade.” Five says sarcastically, still not backing down.

“Five.” You say again, more forcefully as you step up to them. Lila gets up and steps between them, putting her hands on each of their chests and pushing them away from one another. Your eyes flare as you watch her fingers skim Five’s chest. They follow her hand up to her wrist and-

“What is that?” You ask, reaching for her wrist. A silver bracelet, woven like vines, dangles from her arm. You roll your sleeve back, looking at your own bracelet. The one that Five had given you on some anniversary or other, he’d had it made especially for you - strung together with gold, because silver was too trivial for someone like you, he’d said.

The bracelet felt trivial altogether as you looked at its pattern now, beside Lila’s - practically identical to your own. Cheaper, yes, but still like yours, “What’s what?” Lila asked innocently, taking her wrist back.

“That thing on your wrist.” Diego’s eyebrows furrow as he takes Lila’s wrist and he glances between your wrist and Lila’s, “You hate bracelets. You traded the one that I got you for Valentine’s last year to the pawn shop. What…”

“Where did you get it?” You demand, looking her in the eye with a determination that you haven’t felt in years. Lila stands there guiltily, leaning in Five’s direction and your heart sinks. Diego watches, the dots connecting in his mind.

“Did you give her that?” He asks, stepping closer to Five. Lila reaches out for him and he shrugs her off, “No, answer the question, Five. Did you give her that?”

“I made it.” Five answers, hands slipping into his pockets. He’s casual, as if it means nothing, and that only makes it hurt so much more because if this gift to Lila means nothing, then you must mean even less.

“You made it… for her?” You say, hurt and grief for the life you’ve had together seeping into your voice. And just when you think he can’t get any more cruel…

“Who does it look like I made it for?” He says, looking over at you, and your heart shrivels up painfully. A dull ache blooms in your chest and you can’t even form a response because he’s being so cutting and it’s something you’ve never had from him before.

Diego steps up, pressing a hand to your arm and giving it a gentle squeeze as he pushes you back. He takes a breath and looks between Lila and Five, biting his lip, “Is there something going on between you two?”

The two stare silently for a moment and Lila’s voice grows soft as she looks at her husband, “Diego-”

Diego holds his hands up and turns away, “Holy shit… Holy shit, I was right!” He says, pointing at them both, his voice a mix of anger and disappointment in the people he’d trusted.

“Book club, a- all this time, you- you were cheating on me with…” He can’t even get the words out properly as he looks at them, his stutter resurfacing as his emotions get the better of him. He looks over at you, your eyes widen further, if that’s even possible as you realise things for yourself.

“Oh my god… oh my god, I am a complete and utter fool.” You say, laughing in shock as you mentally take a step back from the last few months.

This is what you got for letting your guard down, you supposed, “I can’t believe you… why did I never… you were never doing research, were you? You were off with her.”

“Now, just wait-” Five starts, holding his hands up and trying to approach you at the same time that Lila says, “No, we weren’t cheating on you. At least, not when you thought we were…”

“What? What is that supposed to mean?” You ask, scoffing and folding your arms over your chest.

“It means that, for us, it’s been seven years. I blinked us to the subway and we got stuck down there.” Five said, stepping forward.

“Please, tell me you’re joking.” You say, shoulders dropping as your heart clenches, all of your defences falling.

“Love, I wish I was.” He says tenderly, stepping closer to you again. He takes a deep breath, “We were lost for seven years, Y/N.”

Seven years. He’d spent almost as much time with her as he had with you. Were you really that disposable? You’d thought that things were good between the two of you, great even, but the moment he’d been out of your sights, he’d done this…

Breaking down, you sit back on the couch, putting your head in your hands as you blink back tears. Five sighs, sitting beside you, “We went through a lot of timelines and I promise, I never stopped trying to get home, you know I never would, but… I got tired. Tired of failing over and over and I had to stop.”

“I wouldn’t have given up.” You say, drying your eyes as you look up at him again. Five smiles tiredly, shaking his head.

“You can’t know that.” He says, looking over at you. His eyes are soft, but it doesn’t stop the harsh sting of what he says.

“I can, because I love you, it’s as simple as that.” You protest, looking at him brokenly, “You wouldn’t have stopped looking if you loved me the way that I love you.”

He rubs his thumb over his clenched knuckles, sighing, “Don’t say that. You know that I love you.”

“Of course. And her? What about Lila? Do you love her too?” You challenge, eyes flitting over every pore in his face, seeking an answer or an apology, anything that isn’t going to confirm what you so deeply fear; that he doesn’t love you anymore.

Lila perks up from where she’s standing beside Diego. Diego’s face drops and all either of you can do is watch as your partners lock eyes with one another instead of you. Five sighs, glancing back at you, “Y/N, now is really not the time for-”

“Do you love her?” You ask again.

He glances between the two of you and sighs again. It feels like that’s all he’s capable of doing right now, sighing. You want to scream or yell or cry because that isn’t fair, he doesn’t get to be frustrated or hurt when this is his fault and you shouldn’t be feeling bad for him when he looks so defeated but you just can’t help it because it’s Five, your Five, and you’ve never known anything else but wanting what’s best for him.

He parts his lips, about to speak, before Claire interrupts from where she’s sat on the floor, “Hey, grown-ups! Look at the TV! Isn’t that Uncle Ben?”

Five stands up to look with the other Hargreeves and you steady yourself. This is okay, you think, you can let things go on as normal. Just for a little longer.

#fanfic #fanfiction #the umbrella academy #five hargreeves #five hargreeves x reader #request #anon

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wearevillaneve · 1 year ago

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Serious callback moments to Killing Eve's first season when Villanelle breaks into Eve's house and they dine together over shepherd's pie...and then holds her at knifepoint. Weird.

I don't watch this show but there's a scene in Sandra's animated series Invincible where her character is coming home and she's startled to find a blonde green eyed russian woman who breaks into her house, they have dinner together in her kitchen and joke about knives, poison and murder...

#invincible #i know nothing about this show i just heard about this and watched this part #they also talk about moscow and italy #why is there so many similarities let me live #tagging this as #killing eve #villaneve #animated villaneve #i guess #purely coincidental #i think not #sandra oh #life after killing eve

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dresshistorynerd · 1 month ago

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The Morrisian case against fast fashion

Today I discovered that H&M made a William Morris collection some years ago. The heath death of the universe can't come quickly enough. We can stop now. Satire is dead and we killed her.

It's not just the whole concept of H&M using William Morris' designs for their fast fashion which is insanity inducing, but also the critical response it garnered. Like sure, people did realize this is insane and there was a lot of think pieces about it at the time, but I read several of them and they all seem to still miss the point in spectacular way.

The basic premise of these think pieces go along the lines of: "Would William Morris spin in his grave with a speed of light because of the H&M collection of his designs? A difficult question indeed. William Morris was a complicated man. He wanted art to be affordable to everyone. Isn't H&M affordable? That kinda fits. Though probably he would have some concerns about H&M's practices."

On the surface - yes - but like in reality - fuck no. There's no nuance in this particular issue. He talked about many times what he though of the H&Ms of his time, the retailers selling poor quality industrially produced "fashionable" bullshit. We know exactly what he would have thought of H&M. Here's couple of quotes from his 1884 lecture "Art and Socialism", which makes it very clear.

"It would be an instructive day's work for any one of us who is strong enough to walk through two or three of the principal streets of London on a week-day, and take accurate note of everything in the shop windows which is embarrassing or superfluous to the daily life of a serious man. Nay, the most of these things no one, serious or unserious, wants at all; only a foolish habit makes even the lightest-minded of us suppose that he wants them, and to many people even of those who buy them they are obvious encumbrances to real work, thought and pleasure. But I beg you to think of the enormous mass of men who are occupied with this miserable trumpery, from the engineers who have had to make the machines for making them, down to the hapless clerks who sit day-long year after year in the horrible dens wherein the wholesale exchange of them is transacted, and the shopmen, who not daring to call their souls their own, retail them amidst numberless insults which they must not resent, to the idle public which doesn't want them but buys them to be bored by them and sick to death of them."

He is describing the birth of consumerism, which was taking form during his lifetime in the late Victorian Era, which fast fashion is the extreme logical conclusion of, and he fucking hated it. He specifically railed against endless consumerist products, which H&M is the perfect representation of. It was definitely not the art and beauty he believed everyone required and deserved. He makes the distinction often.

"Now if we are to have popular Art, or indeed Art of any kind, we must at once and for all be done with this luxury; it is the supplanter, the changeling of Art; so much so that by those who know of nothing better it has even been taken for Art, the divine solace of human labour, the romance of each day's hard practice of the difficult art of living."

"And here furthermore is at least a little sign whereby to distinguish between a rag of fashion and a work of Art: whereas the toys of fashion when the first gloss is worn off them do become obviously worthless even to the frivolous—a work of Art, be it ever so humble, is long lived; we never tire of it; as long as a scrap hangs together it is valuable and instructive to each new generation. All works of Art in short have the property of becoming venerable amidst decay: and reason good, for from the first there was a soul in them, the thought of man, which will be visible in them so long as the body exists in which they were implanted."

When he thought of popular Art he thought of the craftsmanship of the common people. The art people have made from useful everyday objects with skillful handicrafts. This is what he means by "divine solace of human labour". It's not reverence of Puritanical work ethic, on the contrary, it's the reverence of creation, of the earnest joy people feel when they get to express themselves through their creative pursuits. He certainly didn't believe in work for work's sake, work needed to be worthwhile and enjoyable. He summarized his own position on what labour should be thusly:

"It is right and necessary that all men should have work to do which shall be worth doing, and be of itself pleasant to do; and which should he done under such conditions as would make it neither over-wearisome nor over-anxious."

He urged his middle class audience to reject consumerism (the lecture was for a very much middle class atheist society):

"For I say again that in buying these things: 'Tis the lives of men you buy! Will you from mere folly and thoughtlessness make yourselves partakers of the guilt of those who compel their fellow men to labour uselessly?"

I think it's glaringly obvious H&M and fast fashion in general is what he would consider luxury. Rags of fashion that are just churned out and discarded without thought and produced by compelling people to labour uselessly. It's not popular art that's made by workers and craftsmen, who are able to express themselves through it. There's no agency for the abused workers in H&M's sweatshops, they are not expressing their joy of creation, they are simply labouring uselessly.

Morris didn't shame workers for buying affortable things even if they weren't Art with big A, because that's the problem he despised the whole economic system for, for taking away the popular Art from people, making it inaccessible, and selling back mass produced products with very little practical or aesthetic value. So I don't think he would have problem with people who can only afford fast fashion today. They are the victims of capitalism too, because Art has been taken away from them. But the idea that some of these think pieces had that perhaps the H&M's Morris collection can be good actually if you squint, that H&M has the capacity to bring the art and beauty Morris advocated for for the people, is level of stupidity that's hard to express in words.

Morris didn't believe anything made with exploited labour could be truly beautiful, truly art. In his 1879 lecture "The Art of the People" he put it like this:

"That thing which I understand by real art is the expression by man of his pleasure in labour."

The way I understand this, is that art is communication. Through it we communicate feelings, ideas and thoughts, that is it's purpose. So for that communication to work, for it to be imbued with message, the person making it needs to feel passion and love for it's creation. How can there be love and passion if the hands making the garment belong to a tired exploited worker who has no agency what so ever in their work and can only think about survival to the next day?

Beyond the fundamental exploitativeness of H&M and fast fashion, this collection would still get zero points on aesthetic values from Morris even with his own designs. Because the work itself was such an important part of art for Morris, good design was nothing without good craftsmanship. Good design in his mind was always relative and dependent on it's purpose.

"For everything made by man’s hands has a form, which must be either beautiful or ugly; beautiful if it is in accord with Nature, and helps her; ugly if it is discordant with Nature, and thwarts her; it cannot be indifferent." (The Lesser Arts, 1877)

Here when he says nature, he means the nature of the thing that is made - basically it's purpose and function - and the nature of the materials it's made from. Basically, the design must always be made to bring out the function of the art and the qualities of the material it's made from, not fight against them. This is because he believed handicrafts were uniquely suitable for expressing the love of creation, therefore superior labour, and to really bring out the qualities of the craftsmanship and enjoy the creative process, the design should be suitable for that craft. The other side, which was the joy of using and experiencing art, required the craft to be selected for the suitable purpose. Using poorly functioning furniture for example is not very enjoyable, nor is using clothing that's made from materials that are not suitable for the climactic conditions it's supposed to be used in.

H&M of course utterly fails in this. They use Morris' designs in fully unsuitable ways. They print patterns made for example for wall papers on poor quality fabrics with synthetics dyes they weren't made for. This line from one blog post I came across really got me: "Therefore, without cheapening the artistic value of Morris’ designs, H&M’s collection offers an unparalleled potential for accessibility to them." No. Fuck no. They do in fact cheapen Morris' designs in every single way possible. Literally this is atrocious.

Despite the popular depiction, Morris wasn't in fact against industrial machinery or industrial art even, or at least he wasn't once his views on art and politics matured. He did think technology was useful, but he thought the people should use industrial methods for the benefit of all, not be enslaved by the industrial machine.

"I have spoken of machinery being used freely for releasing people from the more mechanical and repulsive part of necessary labour; and I know that to some cultivated people, people of the artistic turn of mind, machinery is particularly distasteful, and they will be apt to say you will never get your surroundings pleasant so long as you are surrounded by machinery. I don't quite admit that; it is the allowing machines to be our masters and not our servants that so injures the beauty of life nowadays. In other words, it is the token of the terrible crime we have fallen into of using our control of the powers of Nature for the purpose of enslaving people, we care less meantime of how much happiness we rob their lives of." ("How we live and how we might live", 1887)

However, he thought that the designer should approach it the way they approached any craft, by designing for the strengths of the machine work.

"But if you have to design for machine-work, at least let your design show clearly what it is. Make it mechanical with a vengeance, at the same time as simple at possible. Don't try, for instance, to make a printed plate look like a hand-painted one: make it something which no one would try to do if he were painting by hand..." ("Art and the Beauty of the Earth", 1881)

He did use some machinery for fabric and wall paper printing, but he was very intentional about their use. Still his designs weren't made for the type of methods these modern H&M machinery uses and he did for example use natural dyes. Particularly insulting is that some of the H&M clothes are made from viscose, rayon made with viscose method. Viscose method is extremely toxic and is known to cause long term health consequences for the workers and the people in surrounding areas. This has been well proven knowledge for ages. William Morris' wall paper factory in the beginning used the typical method used at the time which involved arsenic, but once he learned this could pose risks for the workers, he changed the method. Many of the new synthetic dyes were toxic at the time, which is the major reason he so favoured natural dyes, known to not cause health issues for workers or pollute the environment.

The question many of these think pieces about the H&M Morris collection posed was, would Morris disapprove and should we care? The first part of that is very easy to answer. Yes. Of course Morris would disapprove. He is currently powering the whole of British Isles with purely the kinetic energy his grave-spinning produces. Should we care though? If you care about Morris' art, if you want to see more of that kind of art in this world, you should care. Morris' art is not about the superficial qualities. Copying his designs and aesthetics and styles, will only lead to hollow imitations, that are exactly what he described the rags of fashion to be; as the shininess of novelty wears off they will reveal themselves to be soulless, useless and utterly empty. This collection is just that. To see more of the kind of art that makes you feel like his art makes you feel, not just something that reminds you of that feeling, you should focus more on the way the art is made and less on the specific aesthetics. If his vision of labour and art was realised, all art produced of course wouldn't be loved by every person, but all of it would be loved by someone, even if that someone was just the maker. And that would be more worthwhile than every single rag of fast fashion.

I will stop William-Morris-posting now and return to my thesis.

The full texts I quoted here:

Art and Socialism The Art of the People The Lesser Arts How We Live and How We Might Live Art and the Beauty of the Earth

#william-morris-posting #fashion #fast fashion #william morris #a&c #arts and crafts movement #fashion history #history #textiles #textile history #sustainability

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wandanatw0rld · 5 months ago

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+18 | men & minor denied

beefy!natasha romanoff x pillowprincess!female reader x college!au

warnings: girlxgirl; Natasha being a boxer; rough sex; anal sex; strap on use (r receving); a little bit of praise; fingersucking; brief mention of war; Alexei & Bucky being two assholes; not propfread

b: Natasha's father comes to visit her, but their meeting doesn't go very well, and (un)fortunately for you, you have to pay for her frustration.

I think that's it, have fun ;D

~~~~~~~~~~~~~~~~~~

"Okay, I love you too, Mom. Bye" You're sitting on Natasha's bed, notepads and books on every surface, you stop writing and look at the redhair.

"Is everything okay, Nat?" She looks at you, her jaw is clenched, her poor phone pressed against her strong hands, she sits on the edge.

"My dad's coming to visit, he wants to take a tour of Steve's gym," you crawl next to her, taking her hands off her thighs and replacing them with you.

"Is that so bad?" You hold her face, green eyes with a hint of desperation.

"Let's say my dad wanted me to be a doctor and not a boxer," Natasha didn't like to talk about her parents, especially her dad.

Her parents are both from Russia, late Soviet Union, and came to America after the war destroyed their home, the United States seemed to be a place to have a new life with more hopes. Natasha was young and didn't remember much about it, but she remembered the bombs, a whole reason why she hated New Year's Eve.

"Do you want me to be with you?" Natasha seems to consider for a few seconds.

"Are you ready to meet Alexei Romanoff?" She asks you sweetly. "One of the founders of this masterpiece?" Natasha pointed at herself in a very silly way.

"Actually, I am. But let's stop talking about your dad and talk about how much I need you to kiss me".

"I agreed," she says, standing up, you laughing as she holds you, her lips pressed to yours.

...

You were nervous to meet Natasha's father, lost count of the number of times you looked in the mirror, even though the redhead said you looked gorgeous as always. At first, Alexei Romanoff seems really scary with his bear, but he's really an idiot like his daughter. He told jokes, shared stories about Natasha wanting to be a superhero, you kissed her red cheek when the old man made fun of her blue hair.

Now the three of you are in Steve's gym, which he closed just so Natasha could show the place to her dad. But the more you listen to them, the more you're worried about Natasha's well-being.

"You're getting too big, sweetheart. And those tattoos, your mom will lose her mind if she sees you," the redhead breathes out, her patience coming to an end.

"I like my tattoos" You watch them very quietly, the way Natasha squeezes your hand and clenches her jaw makes you worry about her dad. "Dad, please. Look at the size of your belly."

"Your mom likes it".

"I bet she does". Alexei doesn't think it's funny, and you only realize that when he say it to her:

"When are you going to get a real job?" His tone is throaty, sharp as a knife, the same tone Natasha uses when she's stressed.

"This is a real job, Dad. I like working here" Her eyes glow with challenge, one more word and she'll explode.

"Yelena is doing great with me, she's really going to run the business one day".

"Yelena was always looking for your approval." You'd never met Yelena before, but Natasha always talked about the blonde with love and affection.

"Someone has to have it" The silence is heavy, you want to say something, but Natasha could kill her father with her eyes.

"Well, my class is in ten minutes, so... Let me walk you to the exit," Alexei seemed shaken, but he turned to you.

"It was really nice to meet you. When Natasha told me how beautiful you were, I didn't think it would be so much". Natasha doesn't look at either of you.

"Thank you, Mr. Romanoff".

"Please, call me Alexei. You make me feel old".

"You are old." The look in his eyes frightened you.

...

Natasha is taking you home, the fact that she hasn't said a word is worrying.

"See you tomorrow?" You ask and give her a peck on her cheek

"I don't know. I'm busy tomorrow" But she doesn't look at you.

You know what bothers her. Natasha wants her father's approval, all she ever wanted was to make him proud and not being able to do that is killing her. You don't see her the next morning or the day after, so you ask Clint if he knows anything while you both go shopping for baby stuff.

"I don't know, to be honest, she doesn't talk to me" He's looking at the dipers section in the drugstore, you've been helping him for forty minutes now, one of the professors has canceled the class. "I was going to ask her out for a drink, but she didn't answer her phone"

"I'm going to visit her at the gym today after class," you smile sweet at him. "Clint, these are adult dipers".

"God, I'm a terrible dad".

"Don't put too much pressure on yourself, Clint. These are things you can catch up over time.

"Thank you!" You gave his shoulder a good, enthusiastic squeeze.

"I gotta go. I gotta help Wanda with Billy and Tommy."

"Who are they?"

"Her clownfish, but I think one of them is female".

...

The hours seemed to pass so slowly that you didn't notice anything. You left your things in your dorm and hurried to Natasha's work. You entered, the place is quiet, there are a few people working out on headphones. You approach the reception, Bucky, another employee looks at you. You don't like him, the way he provokes Natasha and worse, his jokes towards you, they aren't funny, but it definitely amuses him.

"Hi Bucky, is Natasha here?"

"She asked Steve for a day off, she's at the arena" You turn to leave, but he calls you. "Can I ask you something?"

"Bring it on".

"Why are you with her?" See, not funny. "I mean, I know she's hot and rich, but-."

"I don't think that's any of your business, Bucky."

They march into the arena, loud rock music, The Marvels really hate somebody. Natasha hits the bag with precision, she growls with every punch, it is fucking hot. She doesn't realize you're there until you turn off the music.

"What the fuck!" You wave to her, she takes off her gloves and grabs a bottle of water.

"Hi to you too" You reache her. "I miss you"

"Me too" Her response is somewhat mechanical.

"Do you want to talk about it?" She drinks the water.

"Not really". Getting close to her, analyzing every single detail in her, sweat running down her chest, on her strong arms, the veins on her forearm drive you crazy.

"You're avoiding me, was it something I did?" Natasha keeps not looking at you and starts to get on your nerves.

"Everything's fine" She doesn't add a nickname, which means she's really mad.

There are a few details people need to pay attention to with Natasha Romanoff and you mastered them quite well.

When she's angry, she gets quiet, refuses to look at or talk to anyone, plus she listens to rock music really loud, just like it happened. When she is jealous, especially of Bucky and his aproaches towards you, her voice gets husky and scary, hands on your waist, pulling you close, and when takes you home, she makes sure of making you hers, every inch of your skin belong to her.

She was angry. In this case, angrier than she had ever been.

"Fight with me" Natasha seemed confused.

"I'm not going to fight with you" You take a few steps closer.

"Why not?" You ask, her woody perfume smells so good. "Are you afraid I'll hurt you?" You know you have no chance in a fight, you're smaller than her, in everything. Natasha Romanoff could destroy you with one blow. "Okay then. Bye, Natasha."

"Wait" She holds your wrist, her breathing at a normal pace, she looks at you. Natasha was so angry that she didn't notice that you were wearing her favorite outfit. "I'm sorry about that. Is just... Never mind, I'm fine".

"You're not fine, Nat. Something is bothering you, you can tell me," but she just avoids looking into your eyes. "Is it your dad?" The grip in your wrist had tightened.

"I don't want to talk about him" Natasha looks at your body, you're dressed only for her amusement and it's a waste not to take advantage. "Wait here," she opens the door to the arena.

"What are you doing?" You ask.

"Steve will be using the arena today. I'll open it for him." After that, Natasha grabs her backpack and drags you to Steve's office, then locks you both in.

"Nat-" She presses her mouth against yours, it's rough, your legs go weak. On your tiptoes you grab her face, her lips a little salty, hands on your waist, nails scratching deep into it. You push her onto the table, paper clips, documents, everything goes down. "You have to use me, okay?"

"What?"

"About your dad." Her jaw clenches again. "You can bite me, I don't know, just do whatever you want." With worshipful eyes, Natasha turns your bodies over and places you on the table, your legs wrapped around her waist. "I am all yours".

"You are, detka." Finally, the nickname hits between your thighs. "First I'm going to eat you up and then fuck that pretty pussy of yours," you moan, grabbing her hands and putting them over your mouth, sucking her thumb. "You're so beautiful," she touches your lower lip with her wet thumb.

"Nat..." You move your hips into hers.

"No, Malyshka. You have to stay still." Natasha kissed you as she took off your underwear, lifting your skirt just a little, her fingers dipping into your wetness. "This soaked already?" your nails dipped into her neck "And I'm just getting started" You raised your arms to take off the t-shirt, the fact that you were without a bra pleases her, but then she remembered the asshole at the reception. "I wonder if Bucky knows you're not wearing a bra today.

"No, he didn't look at me today." You know that's a lie. Bucky always looks at you, especially today, he definitely noticed the lack of underwear. You bite your lip, her fingers teasing through your folds.

"I think it's just the opposite, Malyshka," she states, her tone assertive. "When he looks at you, he wants you all for himself." Natasha's lips find a place in your neck, a finger dipping gently into your pussy as her teeth in your shoulder. "He wants to fuck you, but he forgets that I'm the only one who can fuck you."

"Nat, please." Natasha firmly squeezes your neck.

"I'm going to remind him, remind everyone. I am worthy of everything, even you" Her fingers slide over your breasts. "Every inch of you is mine, Detka. Your face, your body, this fucking pretty cunt of yours. I can wait until you come in my mouth." Her teeth clamp down on your right nipple, and she sucks hard. You drop your head back, fingers scratching her neck. It hurts, but you're both enjoying it. Natasha spreads your legs wide, her thumb teasing your clit.

"Nat, easy- oh fuck" She buried her fingers deep into your pussy with no mercy.

"You want me to use you, Malyshka. I will. I'll use every hole in you".

"Mm... So good." Natasha's tongue burns your nipples as she adds a third finger.

"Can it fit one more, Malyshka?" You nod, grabbing her fist that adds the fourth one. "So hungry"

"Nat, take off your... "Mmm... please" The redhead is all smiles now, her pretty girl is so needy. Her thumb throbbs in your clit, and you're desperate. Your breasts are sensetive, but Natasha doesn't seem to be tired of them. She'll never be tired of them. "Fuck!" You pull her close with one of your legs, toes clenching inside your shoes. "Don't stop. Please don't" Natasha releases your breast with a lustful pop, her hand bumping for the last time at your soft spot, and then you melt away at her fingers. "Nat..." You hide your face on her neck.

"Thank you, Malyshka." She kisses your cheek. "I'm sorry for avoiding you these days. I've been overthinking about my dad, but I'm handling it."

"Forget about him. For now, I'm going to come into your mouth" You lick her lips slowly.

"God, you're perfect." She kisses you, hungry, her lips pressed on yours, hands on your breasts. You moan on her mouth, they're so painful. Pushing her, you take off her shirt, throwing it with your clothes. Her breasts are perfect, all sweaty, her tattoos glowing. Your hand lands on her ass, squeezing.

She gets on her knees and puts one of your legs on her shoulder. She can't get enough of your cunt.

"Nat, just fuck me" You demand, she dives into your pussy, and begins to grind her tongue on your clit. "Fuck!" You grab her hair and yank, pulling her closer. You try to close your legs, but she holds them open, her fingers digging into your inner thighs. "God... Shit" she plunges a finger into your cunt. "Mm... Don't" You're trembling, so grab her free hand and put it in your mouth. She's watching everything with adoration, loving the sensations that she causes in you. You're mumbling nonsense, sucking her thumb, and pinching your nipples. "I'm going... Don't stop, Nat. Please, don't... I'm almost" You bite your lips, hands on her head now, her red hair tangled in your fingers, holding her mouth firmly on your pussy, she rasps her teeth in your bud, that's enough to make you come, hard, body shaking, legs like jelly. "You're amazing at this"

"I'm not to blame for your choice in men" You smile, bringing her close to your mouth, tasting you on her. "But I have a surprise for you" You watch her put down the cotton shirt, your mouth getting wet. Nothing compares to the wetness between your legs. Natasha is wearing a pink strap, your favorite. "I was planning to come to your place to use as an apology for my behavior."

"I accept your apology after you fuck me hard"

"I will, Detka" she says, her voice low and seductive. She comes closer, her hands on your ribs, thumbs in both of your nipples. "I'll fuck you so hard that you'll not even walk away from here" She pinches your nipples, her eyes locked on yours. "You want that?" You nod, your lips curling into a slow, sensual smile. "You want that everyone see your trembling walk, especially Bucky."

"Yeah" you say, biting your fingertip.

"Let's arrange that for you" her husky voice commands, sending another wave of pleasure through your body. Natasha pushes her cock inside you, lying down on the desk in a mix of pain and lust, nails scratching her arms. She comes forward, hitting your soft spot, her lips seeking yours. "You're mine. I'm fucking worthy of you. Of anything. This job." She leans her forehead on yours, her growls making you moan loud. "He will see." She's not talking about Bucky. Her hands hold your waist, nails digging into your skin. You're too caught up in the pleasure to feel the pain or the blood from the slightly wound.

"Nat, too much." Her hips don't stop, it hurts, but you're too overwhelmed with lust to care. Then she stops, and you moan in tantrum. Natasha pulls out the strap, and you look at her, confused.

"Turn around".

"I don't-"

"You said I had to use you. I'm using you, Malyshka. Now turn around" You do as she says and turn around. "I've always wanted to know what it's like to fuck your tiny hole" She bends you over the desk, deep inside you regret saying she could use you, but now it doesn't matter. "Don't worry. I'll go real slow, Detka".

"Nat, I've never done this before," you said, holding her wrist and looking up.

"It's okay, we can stop if you don't feel comfortable. I'd never do anything to hurt you." The red hair planted a kiss on your bare shoulder, her hands gently caressing your waist.

"I don't want to stop, I just..." You look into her eyes and you have never trusted her as much as you do now. "I trust you.

"Thank you, Malyshka." You bring her close, kissing her lips, stroking the red hair behind her ears, you feel her positioning the strap on your entrance. You exhale into her mouth as she squeezes a tip, nails digging into her cheek. "Fuck!" She curses, it's fucking painful, no more than the pain you feel on your ass. "You're so fucking tight".

"Nat, I don't think I'm going to-" But then she pulls everything into you, and she starts moving, all you can think is why it's taking you so long to do it. "Fuck!" Your arm encircles her shoulder, she puts one of your legs on the table and spreads it. "Right there, Nat," you feel the plastic going in and out, her hands holding you still, it's fucking good, it burns, but you don't want to stop. "Don't stop, please. Don't stop."

"I'm not going to" And there's the rusky voice, Natasha leads her hand to your clit, touching it very slow, the base of the strap lightly on her clit, then rubbing real rough while she fucks your ass. "You're doing great, pretty girl".

"Mmm... Nat, fuck, please. Faster" Steve's table starts to slide on the floor, more things fall off it. "Almost" Her hips are much faster than you think is possible, you lose control of everything, you start mumbling nonsense again, you don't know what's happening, but you can definitely hear voices coming from the arena, you don't know any of these people, Natasha doesn't seem to care, she's not loud, but she's not quiet either.

"I'm almost there too, detka" You can feel her breasts on your back, her hands pulling your hair to make room for her mouth to find your neck and her teeth dip into it, fingers entering your cunt. You know it's not easy to do it, but Natasha made it seem easy. "Shh Malyska, people will start to hear you," you can't help but moan. You stuffed your mouth with your hand, the teeth go deep. She adds another finger, but then begins to lose frequency, you feel more and more close to the edge. "I'm coming, pretty girl" A few more thrusts and you almost pass out.

Breathes throughout the office, Natasha laid on your back, hands caressing your arms.

"Natasha, are you still there?" It's Bucky. "I didn't see your girlfriend leave. Is she there?"

"Yeah, we're cleaning, Steve asked me to and she's helping me, why?" You only realize what happened when you feel her cock digging into your cunt, a slow moan leaving your lips, it's too sensitive.

"Steve wants to know if you want to join in" Natasha begins to slowly push against your pussy, you want more, you need more, your hands searching for any support.

"Only when I finish cleaning" She kisses your neck, on the mark she made. "No way I'm leaving you for that." She whispers in your ear. Her hips are frenetic. "Can you get that box for me, Detka?" But you don't answer, you can't, it's too good. "You have to say something, Detka".

"T-that o-ne??" Natasha laughs in silence, her smile playful and cocky.

"Okay, I'll tell him." You don't know if Bucky believes that, but it's too good to pay attention.

"You liked that, huh?" She raises her torso, holding your waist, her movements bursting. "Don't try to deny it, Malyshka, I can't keep my cock inside you"

"I like it" She bites your sholders, her tongue burning your skin.

"Malyshka, you're so good to me" Her nails dig into your waist, her hips bump against your butt, the strap gliding smoothly over your wet cunt. "So beautiful accepting everything from me" You feel her front on your back, her teeth biting hard into the skin of your ribs.

Natasha's fingers rub your needy bud.

"Nat... I'm going to... Fuck!" You bite your hand, the small room insanely hot, the voices of people on the other side of the door adding another layer of lust.

"It's okay, pretty girl. You can cum on my cock," the walls are tightening around Natasha's cock, she's gripping your jaw very gently, very different from what her hips are doing, she kisses you. And then you feel the nod in your stomach to undo.

"Fuck, fuck, fuck!" Your teeth mark your hands.

Her hips slowly stop, you feel her heartbeat on your back. She pulls her cock out.

"That was hot." She says, kissing your cheek.

"I don't know if I can walk".

"That's what you wanted," you look at her, almost offended. "I'm joking, Malyshka. We'll have to stay here for a while.

"As if I'm going to leave with all these people".

You watch as Natasha goes to her backpack, grabs a towel, and wraps the strap to clean it later. She picks up your clothes, you can't move, the orgasm has melted your legs.

"Let me help you, Malyshka," Natasha pushes one of your legs through the panties, then the other. "Okay. Do you need help with your shirt?" You nod, you don't need it, but you have a soft spot for her being so sweet and helpful. You raise your hands, she helps you, then she pulls up your skirt, your shoes. "Come here, let's get you somewhere more comfortable" You hold her like a koala while she leads you to a sofa. "I'm going to put my clothes on and then put everything back. You need to rest.

"I want to help you" You try to get up, but your legs are still wobbly.

"It's okay, I can do it myself." She strokes your hair behind your ears.

"Nat, I don't care what your dad thinks. I'm really proud of you and I'm happy to be your girlfriend" The way she smiles at you makes your heart warm and race.

"Thank you, Malyshka. I'm lucky to have you as my girlfriend," you kissed her, your hands pulling her closer, legs around her waist. "Detka, you have to let me go, otherwise we'll have to stay here forever.

"I'll stay." You wanted to tell her that you loved her, but you were too afraid of being rejected or of her not feeling the same, so you backed off, you didn't want to ruin this.

You just didn't know that the redhead felt the same way.

~~~~~~~~~~~~~~~~~~

#wandanatw0rld #fanfic #x reader #natasha romanov #natasha romanoff #natasha x you #natasha x fem!reader #scarlett johansson #beefy natasha

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